Tuesday, June 22, 2010

Unicorn Kid + Sabrepulse - Camden Barfly, London, 23rd June 2010

Tommorow i'll be supporting Oli for the london date on his summer tour. It's a one off thing, shame as he asked me to do a heap more but can't as i've got work commitments. Boo!


Doors at 7:30pm, cya there!

Monday, June 21, 2010

Recently featured on...


A few videos my music has been featured on recently. The first is a section from 'Outbrk' used on the Engadget Show.

The second is a promo for an android os app for NPR, which they used one of my old track '8-Bit Kid'

Sunday, June 20, 2010

Live videos of 'Synchronicity'

Here are a couple of videos taken on some of the southern dates on the 8-Bit Alliance tour back in march. They're of a track Henry Homesweet and I wrote on the road - 'Synchronicity'. The cart it's on is having major problems playing through so i'm going to have to fix a few things before i'll be able to record it.

Hopefully we'll be able to get this and something else out in the future as part of a record.





Another tattoo

A norwegian fan got the logo from 'Verao' tattooed on their arm. See also this one from last year.

Thursday, June 17, 2010

My top 5 LSDJ tips

One of the problems beginners to LSDJ face is the relatively steep learning curve, especially if you’ve never used tracker-style audio software before. However, it levels out once you put a little time and effort into learning tricks. Here are 5 I couldn’t live without:

1) Cloning - (Select + B then A) I think this is the most powerful user-feature in LSDJ. Cloning essentially takes a chain or phrase you have previously created and creates an identical copy under a different number. This speeds up your workflow exponentially as you don’t have to keep re-creating sections to edit or pasting or manually copying each section. Learn & use it!

2) Cut n’ Pasting - (Select + B / Select + A) Cloning is excellent but copypasta is still an imperative tool for speeding up workflow and can also provide interesting arrangement opportunities. Try experimenting by copying an ‘out of time’ amount of notes in a phrase - say 02 to 0C – then paste + repeat for unusual melodic possibilities.

3) Stereo Separation – This is basically the transition from writing music in ‘2D’ to ‘3D’. Stereo is an intense subject to get into, so i’ll give you a quick practical example of something that can spice up any track. A neat trick to make channels jump out and add width to your music is to ‘quick pan’ using tables. Set a table up on an instrument (let’s say a WAV channel bassline), put three O commands on the top three spots of the command columns, 00 should be L, 01 should be R and 02 should be LR. This quickly pans the channel left and right (or switch to right and left / automate them both) and instantly adds stereo width. Play around with different combinations of this to add different degrees of stereo depth, it’s all about experimentation.

4) Using Groove Effectively – Probably the most underused feature for newbies, it’s worth investing a little time into the workings groove as it’s what separates great users from ones who are content writing everything in the same style (i’ve been guilty of this in the past!). The best tip I was given about groove is everything needs to add to 12 to avoid sync and bpm issues.The default is 6/6, 7/5 is your basic shuffle/swing and in-between that you can add other grooves to spice things up further. Give it a go and try to break out of the mould of writing straightforward/characterless tunes!

5) Draw your waves! – Do you find yourself blindly tweaking parameters in the wave instrument screen until you’ve got a vaguely cool sounding instrument? Wave drawing is a huge part of making your instruments unique. Anytime you create a wave instrument you should nip into the wave drawing/editing screen to play around, even if you think the sound you’re currently getting is great. After a while you’ll start to visually understand how to draw waveforms, what sound each shape creates, and how many variations there can be. Now I always start my wave instruments off by drawing the wave, THEN fine tweaking using the instrument screen parameters.

As you use LSDJ more, these things should become second nature. My final ‘tip’ would be to always keep a copy of the manual available, especially useful for learning the shortcuts. I printed a copy out during the learning process and it’s been something i’ve gone back to time and time again for reference, you should do the same!

Happy tracking :)

Two briefly forgotten remixes

Here are two cool chiptune remixes of some of my older tracks that you may not have heard.

'The Manhattan Transfer' - Remixed by Firebrand Boy

'Gare De Europa' - Remixed by Calis

Thursday, June 10, 2010

Blip Festival Tokyo 2010

I've been invited to play!

Blip Festival Tokyo is the first iteration of the biggest and best chipmusic event to take place on Japanese soil.
It’s happening on September 4th and 5th, and an extended line-up (with more to come) has been announced on the website 

I’m really hyped for seeing Japanese guys like Quarta330, Hip Tanaka and Saitone who rarely appear in the west – roll on September!

PS - I'll be in Japan for a week or so, and plan to play a few other shows while i'm out there - Denpa is one of them, check http://denpaweb.net for more details on that one.