Showing posts with label lsdj. Show all posts
Showing posts with label lsdj. Show all posts

Tuesday, October 11, 2011

NEW RELEASE: FIRST CRUSH EP



Hey guys - I just dropped a collection of tracks written over the summer on my bandcamp page. 8 tracks of dnb, electro and dubstep all with a hint of chipmusic, and collaboration tracks with Knife City and Henry Homesweet!

The ep is totally free, but if you feel it's worth something and would like to pay, there is an option for that. Bandcamp seems to be the way forward for this type of thing, and if it proves a success with you i'll use it in the future!

Here's the direct link, enjoy http://sabrepulse.bandcamp.com/album/first-crush-ep

NEW RELEASE: BIT PILOT EP



I've just put up the soundtrack to Zach Gage's brilliant iOS game 'Bit Pilot' over on my bandcamp page. 8 tracks written with lsdj! £4!

Direct link: http://sabrepulse.bandcamp.com/album/bit-pilot-ost

Thursday, June 17, 2010

My top 5 LSDJ tips

One of the problems beginners to LSDJ face is the relatively steep learning curve, especially if you’ve never used tracker-style audio software before. However, it levels out once you put a little time and effort into learning tricks. Here are 5 I couldn’t live without:

1) Cloning - (Select + B then A) I think this is the most powerful user-feature in LSDJ. Cloning essentially takes a chain or phrase you have previously created and creates an identical copy under a different number. This speeds up your workflow exponentially as you don’t have to keep re-creating sections to edit or pasting or manually copying each section. Learn & use it!

2) Cut n’ Pasting - (Select + B / Select + A) Cloning is excellent but copypasta is still an imperative tool for speeding up workflow and can also provide interesting arrangement opportunities. Try experimenting by copying an ‘out of time’ amount of notes in a phrase - say 02 to 0C – then paste + repeat for unusual melodic possibilities.

3) Stereo Separation – This is basically the transition from writing music in ‘2D’ to ‘3D’. Stereo is an intense subject to get into, so i’ll give you a quick practical example of something that can spice up any track. A neat trick to make channels jump out and add width to your music is to ‘quick pan’ using tables. Set a table up on an instrument (let’s say a WAV channel bassline), put three O commands on the top three spots of the command columns, 00 should be L, 01 should be R and 02 should be LR. This quickly pans the channel left and right (or switch to right and left / automate them both) and instantly adds stereo width. Play around with different combinations of this to add different degrees of stereo depth, it’s all about experimentation.

4) Using Groove Effectively – Probably the most underused feature for newbies, it’s worth investing a little time into the workings groove as it’s what separates great users from ones who are content writing everything in the same style (i’ve been guilty of this in the past!). The best tip I was given about groove is everything needs to add to 12 to avoid sync and bpm issues.The default is 6/6, 7/5 is your basic shuffle/swing and in-between that you can add other grooves to spice things up further. Give it a go and try to break out of the mould of writing straightforward/characterless tunes!

5) Draw your waves! – Do you find yourself blindly tweaking parameters in the wave instrument screen until you’ve got a vaguely cool sounding instrument? Wave drawing is a huge part of making your instruments unique. Anytime you create a wave instrument you should nip into the wave drawing/editing screen to play around, even if you think the sound you’re currently getting is great. After a while you’ll start to visually understand how to draw waveforms, what sound each shape creates, and how many variations there can be. Now I always start my wave instruments off by drawing the wave, THEN fine tweaking using the instrument screen parameters.

As you use LSDJ more, these things should become second nature. My final ‘tip’ would be to always keep a copy of the manual available, especially useful for learning the shortcuts. I printed a copy out during the learning process and it’s been something i’ve gone back to time and time again for reference, you should do the same!

Happy tracking :)

Monday, February 22, 2010

Creating an ableton/LSDJ live set

Following with the ableton/lsdj theme, here's an excellent article by Marc Nostromo which explains how to set up an lsdj/ableton live set by manually copying your lsdj song structure over to live (he's referencing piggytracker but it's the same idea).

It's a painstaking process in recording each chain as a clip, but the possibiliies are endless once done - i've spent this weekend doing it with a few of my newer tracks, and after some advice from covox I think my new live set is going to rock!

http://nostromo.noisepages.com/2009/08/01/getting-a-live-pt-1-mimic-lsdj-lgpt-live-mode/

Friday, February 19, 2010

LSDJ Tutorial for the complete novice

http://8bitcollective.com/wiki/index.php/LSDJ_Tutorial_by_Sabrepulse

LittleSoundDJ a very popular music tool for the nintendo gameboy, i've used it for several years to create full songs and samples.

This tutorial is a repost from a few years ago, it's very basic but does the job. People have even told me it's really helped them, even some of my favourite new artists!

I always planned on adding photos and updating with advanced techniques, one of these days it might happen. What i'd love to do is take people through the process of writing an entire song using the program, from purchasing the rom and putting it onto a cart (it's a lot easier now than when I started), to getting the best recording possible - Start to finish.

That sort of 'hand-holding' would be frowned upon by many in the chip community, but if it means ushering a new generation of musicians willing to spend time with this music, and in turn creating great new tunes for me to listen to (very selfish I know..) - it's a good thing.